The workflow for taking the photos and getting it in Memento was a bit confusing. I must admit a very cool way to test photogrammetry is to do a self-portrait.
Since it was the end of the day and I knew I would not be able to create a blog post with client data I got Darren Larkins to take several profile shots of myself. To start testing Memento I needed to take a collection of photos of a physical object. My ultimate goal is to see how well it can handle our industries large and unique datasets. This transition finally pushed me over the edge to start testing the technology.
Memento has just recently been "upgraded" from an Autodesk Labs project to a Beta which probably means it will be officially released relatively soon. For those of you not familiar with Autodesk Project Memento, here is the official description:Īutodesk Memento is an end-to-end solution for converting any captured reality input (photos or scans) into high definition 3D meshes that can be cleaned up, fixed, and optimized for the Web, mobile or 3D printing / fabbing. The class will teach best practices how to capture the reality so that you can make the most of their digital replicas, how to leverage Memento's toolset to prepare it for different workflows and in general, you will learn of all new opportunities offered by that the brave new Reality Computed world.In the spirit of one of my previous blog post Reality Capture in ShipConstructor I thought I would finally test Autodesk Project Memento.
For the first time we will be deep diving in Project Memento, our standalone, state-of-art end-to-end solution that creates high quality publishable and fabbable 3D models from reality captured with photos, handheld scanners or mid range scanners, and prepares them for fabbing, publishing online, or for further digital workflows with Fusion360, Autodesk Maya and more. Maximizing on the latest fascinating developments in Capture technologies and Reality Computing Solutions, we will demonstrate and analyze various use cases of applied Reality Computation from the worlds of media and entertainment, arts, archeology, science, museums and design, and explore new ways of doing the old stuff. Join me on a Reality Computing expedition.
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